Category Archives: Video

What the Holocaust Tried to Take from Me (Guest Post)

Yom HaShoah (Holocaust Remembrance Day) – April 19, 2012

Which parts of the story are true and which parts of the story are false?

This much I know: My grandfather, Zaidie, was a spry happy man with a wondrous smile that lit up the room. His brilliant blue eyes dazzled with every smile.

My mother told me that my grandfather never smiled until we, his grandchildren, were born. Grandchildren transformed Zadie from the stern, serious man my mother knew, into the fun loving, energetic grandfather I knew and loved. Zaidie played catch with me and watched me dance and sing – all with encouraging smiles and joyous laughter. He took me, and his four grandsons (I was the only granddaughter) to parks, beaches, on car trips and for ice cream. He couldn’t get enough of us and, likewise, we couldn’t get enough of him.

I thought I knew Zaide, but I realize I know very little about Zaidie. I know nothing about his childhood, nothing about where he lived, nor how he grew up. I know nothing about his parents, his siblings, aunts, uncles, or cousins. I don’t even know how he met my grandmother.

I know that Zaidie was born in Poland, in a small town (shtetl) called Boger. From there, the story gets fuzzy.

Was it that…

In 1920 (give or take a year) my grandfather confiscated his dead brother’s visa and escaped to America, the land of freedom and opportunity. Since his brother was killed in the coalmines of Poland, either due to a job-related accident or at the hands of malicious mine workers, my grandfather grabbed that visa and turned his brother’s death into the opportunity of a lifetime.

Or was it the following…

Zaidie went to Canada, using his (older or younger) brother Myer’s visa. Myer,  somehow, was already living in America. From Canada, my grandfather smuggled across the border and entered the U.S.

Or maybe it happened this way…

In or about 1920, my grandfather joined the Polish (or Russian) Army, but instead of serving, he ran away (AWOL). Zaidie said he could not fight for a country that was killing Jews in the Pogroms, and escaped to the United States.

Which is true? I don’t know. I’m sure some variation is true. I have bits and pieces of stories handed down to me, but none of them are documented.

I do know that Zaidie eventually stowed away on a ship sailing to Canada. From there, he walked across the border into the U.S. telling the border guards: “Of course I’ll return to Canada, I’m just going to visit my brother, Myer.  My grandfather never returned to Canada. Instead, he sent money back to Poland, to my grandmother (Bubby), so she could join him and start a new life together in Chicago. But that’s all I have; it’s all I know about how my grandfather came to the United States. There is no one left to ask. My grandparents and the few relatives who survived the Holocaust are no longer alive.

I have tried to do the research and to put the pieces of the puzzle together. However, because of the Holocaust, all documentation, even the name of the town (Boger) in which my grandfather was born and grew-up, have all been expunged, purged from history. My family is left only to speculate about what actually happened.

I would dearly love to see a video of my grandfather and to hear him talk about his life and to hear his stories. But sadly, I cannot.

I have made it my job to tell my children what I do know about our ancestors.   I can tell them that their great-grandfather grew up in Poland, made his way to America around 1920, when he was about 18 years old, and because of Zaidie’s efforts; I was born in Chicago sixty-three years ago. My children will know that their grandfather had a large family, but sadly, they were all killed during Pogroms and in the Holocaust. My children and grandchildren will know of all the wonderful memories I have of my grandfather. They will hear about all the holidays we spent together, of the joy, love and a sense of family I received from Zaidie and Bubby. My children and my grandchildren will know because I am telling them and will continue to tell them.

Will your children and grandchildren know about your family? What are you doing to ensure that future generations don’t have to puzzle over mysteries they may never be able to solve?

As we commemorate Yom HaShoah today, let’s remember our ancestors and their struggles. But let’s not forget what we can do for the future. We owe it to Zaidie and Bubby to make sure our family’s stories are never forgotten.


Susan Harrison is an author who resides in San Diego, CA, where she works as an educator and a facilitator for GAB (Guided Autobiographer) and The Braille Institute. She has been published in various e-zines.  Susan is a modern grandmother and her favorite ‘job’ is reading books to her granddaughter via Skype.

Eisensteins in the Attic: Rediscovering Your Own Film Treasures (Guest Blogger)

Clack…..clack…..clack…clack..clack clack/clack/clack….

We all know the sound of an old 8mm or 16mm projector throwing Kodachrome home movies up on a wall. For all too brief a moment we look into a coruscating window on a lost or fast disappearing past. Images roll in: jump cuts, lens flares, shaky camera work. We squint maybe, trying to improve the focus. Real, but also somehow surreal, those old film images; transporting and magical.

That time machine costs how much?

I think of old home movies as a kind of time machine – but a time machine that really exists. What would we pay for just such a machine if we didn’t have one?

What wouldn’t we spend to peer through a time tunnel at our old grandpa digging in his “victory garden”, or to see mother on her wedding day? Old home movies are exactly that time machine, and yet we don’t always know – or value – what we have.

Dan Streible knows a thing or two about old movies. He is a professor of film at New York University and the founder of the Orphan Film Symposium – the biennial gathering of scholars, archivists, curators, and media artists devoted to saving, screening, and studying neglected moving images.

Dan says people underestimate the value and power of home movies – “these millions of feet of rediscovered family films, the millions of feet of film shot by mothers and fathers, aunts, uncles and friends throughout the 20th century (that) now make up the best record we have of daily life as it was lived during the past two or three generations.”

Of course, he is talking about other people’s home movies. And if you are lucky enough to have some of your own? Well, chances are they would be like Eisensteins in the Attic – dusty masterpieces of their kind left unwatched and slowly disintegrating*.

Priceless images in dusty boxes

Priceless images are stowed away in shoe boxes all across America, locked up in now unplayable film formats like Super 8, 16mm and 8mm; or in early cassette formats like Video8, Hi8 and Digital 8.

And if you did take the trouble 10 years back to convert to VHS, S-VHS or VHS-C? Then you did a great thing. But VHS is now obsolete; and sadly, the quality of VHS was poor from the start. You’ll get a much better result today retransferring from the original films or video cassettes.

The good news of course is that every old film and video cassette format can now be converted to digital video. Most people get their old home movies transferred to DVD. But here’s a tip: When you go to the expense of transferring, why not create an uncompressed video master file and get that put on a hard drive. (Uncompressed video is the best quality you can achieve.) Then, use those home movie master files to create your DVD, your YouTube or iPhone video (or whatever else becomes the device de jour).

Turn home movies into a personal documentary

And best of all, you can use that home movie master file to help create your own personal or family history documentary – your “Reel Tribute”. The only thing then remaining is to dim the lights, toss in the DVD, and become transported into “a land of both shadow and substance, of things and ideas”. You may miss the old “clack clack clack” of the projector, but the experience will be every bit as magical.

*Sergei Eisenstein: Pioneering Soviet Russian film director and film theorist famous for his silent film Battleship Potemkin (1925). The sole copy of his unfinished Bezhin Meadow was destroyed in a WWII bombing raid (“Shoulda had it transferred...”).

Thank you to video biographer and Association of Personal Historians board member Jane Shafron for this article. In recognition of the importance of preserving our home movies, Jane has recently added video transfer services in Orange County CA to her suite of family history services. Jane was recently named one of the Top 10 Personal History Bloggers of 2011 by Dan Curtis.

Next-gen Genealogy: Using the technology of the future to better understand our past

Did you struggle for years to write your magnum opus, The Family History, only to share it with relatives who just flipped through a few photos? Perhaps you slaved away at your research, collected piles of documents and pictures, and could talk for hours about each aspect of Great-Great-Grandpa Archibald’s life, but you’re overwhelmed by the idea of organizing it all? How can the first researcher hook the family’s attention, and how can the second share all the information they have? The answer is the same for both: family history films. Video technology has transformed the web—with 6.2 billion online videos viewed in July 2011 alone—and now it’s starting to revolutionize the world of genealogy.

Video offers a number of benefits for family history. In this blog, I’ll address five key reasons to get started on your family video today.

1) It’s a great way to tell a story
People will always love to gather to hear a really good story. But, while crowds once circled the campfire for tall tales, we now turn to the mysterious flicker of the television or computer screen. Though times change, the concept remains: a powerful story fuels the imagination. And few stories are as powerful—or as meaningful—as the ones that relate to our own lives. Our own ancestors’ triumphs, loves, and adventures are inherently fascinating, but never so much as when we can see and hear them unfold. Unlike dusty tomes of names and dates, neglected by all but the most savvy genealogists, video draws the entire family into the story behind the research.

2) Video preserves information for future generations
Documents disappear in fires and get pitched in overzealous spring cleanings. What would you do if your work was lost? A video production of your family history is easy to reproduce and upgrade to the newer technology as it becomes available. Books and photo albums may not stand the test of time, but video is one source of family history that will be around after other accounts have long vanished.

3) Video makes genealogy accessible to non-experts
It’s not just the researcher who will benefit from his or her hard work. Streaming videos online is now incredibly easy and video documentaries can instantly be shared with family members and friends around the world. Even busy uncles and squirmy kids can enjoy family history in a captivating film.

4) Video captures so much more than just data and information
You can’t put Grandma’s laugh into a book. You can’t hear Uncle Jim choke up, or see the look on his face when he speaks of his platoon brothers in the war, with a photo tucked away in the filing cabinet. A book can’t fill the home with the tunes that Grandpa John played during his short-lived musical career. Our children learn history in school, but do they feel it? With a family video documentary, your siblings, your niece, your grandchild, will not only learn. They will be inspired.

5) It’s much easier than you think
Making a video is surely worth it when you consider the joy and knowledge that you’ll share with family and friends around the world. Best of all, if you don’t plan on teaching yourself to become the next documentary guru Ken Burns, Reel Tributes is here to help you produce a customized broadcast-quality film. A professionally made documentary is like your grandma’s quilt– precious, irreplaceable, and full of stories. Each family has a unique and extraordinary history. Shouldn’t the documentation of that history be unique and extraordinary, too?